If you are an Adobe Lightroom consumer and transfer your images into Photoshop, there is a best practice you can follow. This is particularly true if you’re employing Mastin Labs presets. Here, we will detail how to quickly and easily take your picture from Lightroom to Photoshop and back again while still maintaining the standard of the image file and then edit. LET’S DIVE RIGHT IN Before you go to photoshop, edit the image almost all of the way. Follow the below checklist, editing in Lightroom up till the point of incorporating any grain into your image. Apply Your Chosen Preset Apply Lens Correction Correct Exposure (optional) Fix White Balance and Tint Select Tone Profile (optional) Bring to Photoshop (optional) Bring to Lightroom Apply Grain (optional) Make Crop (optional) You’ll notice in the edit record that you bring the image on to photoshop BEFORE any grain is applied. That is because if you should use the grain then bring the image into Photoshop, all of adjustments you make will likely damage the construction of the grain. Adding the grain in Lightroom once you create your essential Photoshop adjustments guarantees that it is going to look natural and even. The Way to Edit with Mastin Labs in Lightroom Apply Preset I went with the Ektar Preset in the Adventure Everyday for this one. I truly like how Ektar pops the colour, particularly the reds in the background. This is a Defaults Do Mastin Lightroom en significant measure, and it’s vital to ensure it is beforemaking any exposure adjustments. Not only does lens correction remove any distortion from the lens, but also vignetting. Based upon the lens you used, the more vignette correction can make a enormous difference and make your image much brighter! Consistently apply lens correction before exposure adjustments for this reason. Lens Correction On Correct Exposure If an exposure adjustment is needed, make it today. Most of the time, you are going to be raising exposure. This really depends on how you shoot, but the majority of us tend to underexpose with digital. Lots of people find this modification catchy, and if that’s you, don’t worry! Just keep practicing! Keep those general principles in mind for reconciliation temp and bleach: If the photograph is a small cool, pull the temp slider yellow. When it’s a little warm, then pull the temp slider supporting blue. If your theme’s skin looks somewhat green, then pull on the tint slider toward magenta. If it is a small magenta colored, then pull on the tint slider green. Look carefully at the shadows of your picture when making these adjustments. They are generally the very telling locations. For a more in-depth overview of correcting temperature and tint, have a look at this Live Edit with Kirk Mastin. The tone profiles found in Mastin Labs’ presets are yet another way that the presets emulate actual films so well